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Swinging Through the Streets: Celebrating Jazz Appreciation Month with Mural Arts

April arrives with a syncopated rhythm, ushering in National Jazz Appreciation Month—a time to honor a musical genre that, like a well-played solo, bends, breaks, and reshapes itself with every generation. In celebration, Mural Arts Philadelphia has orchestrated a visual symphony, highlighting murals that pay tribute to the legends whose melodies once drifted through this city’s streets. Each brushstroke, like a note in a ballad, captures the soul of jazz, ensuring its story continues to resonate beyond the final cadence.

Tribute to Grover Washington, Jr. (restoration) © 2001 City of Philadelphia Mural Arts Program / Peter Pagast, 2032 North Broad Street. Photo by Steve Weinik.
Grover Washington, Jr.: The Saxophonist Who Swung the World

A few measures north on Broad Street, Grover Washington, Jr. by Peter Pagast plays like a smooth saxophone riff. Washington, whose warm, lyrical phrasing defined a generation of jazz fusion, is immortalized in a mural that feels as improvisational as the melodies he crafted. Drawing from family-provided images, Pagast painted not just a musician but a man caught mid-phrase, lost in the groove of creation. The mural, restored in 2015, reminds passersby that Washington’s sound—like the mural itself—continues to withstand time’s tempo.

Cedar Park © 2004 City of Philadelphia Mural Arts Program / Karl Yoder, 4928 Baltimore Avenue. Photo by Jack Ramsdale.
Cedar Park: A Community Composition

A few neighborhoods west, Karl Yoder’s Cedar Park mural strikes a different chord, one that hums with the pulse of West Philadelphia. This composition features not just musicians but an ensemble—families, gardeners, and Friday night revelers—illustrating the communal spirit that jazz embodies. The piece, framed by mosaic tiles crafted by young students, harmonizes visual and musical storytelling. Here, jazz is not just performed; it is lived, echoing in the shared experience of those who gather to listen.

Eddie Lang: The Father of Jazz Guitar © 2016 City of Philadelphia Mural Arts Program / Jared Bader, 7th & Fitzwater Streets. Photo by Steve Weinik.
Eddie Lang: The Father of Jazz Guitar and His Studio Symphony

At 708 Fitzwater Street, Eddie Lang: The Father of Jazz Guitar by Jared Bader takes the form of an archival recording session. Lang, an innovator who strummed jazz into new territory, sits at the heart of the composition, flanked by a host of legends: Bing Crosby, Joe Venuti, Louis Armstrong, and Bessie Smith. Even the instruments whisper their own histories—the banjo on the floor a relic of jazz’s past, the guitar in Lang’s hands a vision of its future. This mural, like a classic jazz standard, reminds us how one musician can set the tone for generations to come.

Why We Love Coltrane © 2022 City of Philadelphia Mural Arts Program / Ernel Martinez, 2729 West Diamond Street. Photo by Steve Weinik.
Why We Love Coltrane: A Giant’s Legacy in Full Swing

Few names in jazz summon as much reverence as John Coltrane, and Ernel Martinez’s Why We Love Coltrane mural is a crescendo of homage. Located in Strawberry Mansion, near the home where Coltrane once honed his craft, the mural moves like one of his compositions—layered, intricate, and spiritual. This is the third mural dedicated to Coltrane in Philadelphia, proving that even when one fades into silence, another rises, ensuring his music—his message—never falls out of key.

A City in Harmony

Philadelphia has long been a city that swings, a place where jazz legends have walked, played, and left behind echoes of their sound. Mural Arts has ensured their legacies remain as vivid as a bright brass riff. As we celebrate National Jazz Appreciation Month, these murals stand as visual solos—each one a tribute, a remembrance, a call to keep the music alive.

So, as you stroll past these masterpieces, let your step fall into the rhythm of the city’s past and present. In Philadelphia, jazz isn’t just heard—it’s seen, it’s felt, it’s painted on the very walls that surround us. And in the key of art, it will always play on.

Published

March 27, 2025

Author

Chad Eric Smith

Categories

Uncategorized